both look good
Beer glass scene creation
This course contains a little bit of everything with modeling, UVing, texturing and dynamics in Maya, as well as compositing multilayered EXR's in Photoshop.
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31
18-01-2003
, 06:03 AM
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both look good
Thanks for wasting your time reading this line.
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18-01-2003
, 09:24 AM
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Check out the subsurfacescattering on my tongue...
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19-01-2003
, 02:17 AM
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19-01-2003
, 05:28 AM
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19-01-2003
, 06:22 AM
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19-01-2003
, 10:06 AM
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19-01-2003
, 10:08 AM
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19-01-2003
, 08:16 PM
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by your work!..... this month's competition has
awsome entries.....
Konstantinos
You know, there are at least two ways of getting things done... Your way and the right way...
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39
20-01-2003
, 10:28 AM
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I've been doing some work on Sir Axe-a-lot and decided to connect the head and the body. I'll have to find some way to cover the seem when I disconnect later but this way the smoothing is the same on each surface. Too many polys to texture head and paint skin weights for it to be single mesh... I'm stuck for a way to make eyelashes. I want to use the surfaces that extrude from eye on mesh now but i had problems before with using a seperate shader for them and having the transparency not show up in the shadow - in other words big shadows beneathe where the eyelashes should be. ideas???
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20-01-2003
, 10:43 AM
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20-01-2003
, 11:07 PM
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here is another shot with new texturing on the axe and a shot of his back
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42
21-01-2003
, 01:17 AM
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How not to wear your chainmail!
i've got gravity set at -1980 but it's like there's a magnet on his chin and a hair drier between his legs! it's drivin me nuts! i can't be havin my evil man prancing about in this little summer dress! aaaargg!!!
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43
21-01-2003
, 01:28 AM
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I am enough of an artist to draw freely upon my imagination, knowledge is limited, imagination encircles the world. (Albert Einstein)
https://www.artstation.com/kurtb
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44
21-01-2003
, 05:20 AM
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i'm happy now that i got cloth to work a little better - so he's wearing chain mail and not showin' his package off for the whole world to see...
i fiddled with collision depth and collision offset - i think i had the collision depth set too high. anyway - also i changed the resolution factor on each panel to 5 - then lowered the base resolution on the sticher to 300 - this seemed to be flexible enough - i don't claim to really understand it tho - at first i had the resolution factor on the panels at 1 and in order to get enough polygons in the cloth i had to put the base resolution up over 1200 - this of course was taking forever to caculate. So what exactly is the resolution factor multiplying? obviously more than the display factor right??? hm. i guess this is a question for another forum. anyway, i'm totally excited to see how it's going to animate... i'll probably have to redo everything because the character is too high poly to move and as soon as i change the mesh (when i seperate the head from the body...) i assume it will no longer work as a collision object. This whole cloth thing is just incredible i have to say.
the chainmail is from a pattern i made - first i modeled a square of chain mail in NURBS from toruses, put a steel shader on them, rendered that in an orthographic view and took it to photoshop. there i picked a square piece of the render and it tiled like a beaut. put a black background in and made a higher contrast blk and wht version to use as my bump map. i think the result looks somewhat like chain mail - c & c on both the method and the result very much appreciated.
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45
21-01-2003
, 05:24 AM
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