shelby gt 1967

Digital humans the art of the digital double

Ever wanted to know how digital doubles are created in the movie industry? This course will give you an insight into how it's done.

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# 1 11-06-2012 , 01:16 AM

rm3d
Join Date: May 2008

Location: northern ireland

Posts: 184

one of my best models, lol, hope you guys like it.

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the more I Think I know about Maya the less I seem to know about it.

check me out www.rm3d.co.uk

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# 2 11-06-2012 , 03:10 AM

Lifetime Member
Join Date: Feb 2010

Location: Australia

Posts: 4,255

the model looks good mate, though the lighting isnt flash. Not enough to show off the car in the 2nd and 3rd and too much reflection in the last. Tweak the lighting some what and it will look a whole lot better.

cheers bullet

bullet1968

"A Darkness at Sethanon", a book I aspire to model some of the charcters and scenes

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# 3 11-06-2012 , 03:14 AM

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Join Date: Apr 2012

Posts: 28

Agree with bullet1968,the model is good.But I feel that the color of the car lights is a little strange.

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# 4 11-06-2012 , 08:47 AM

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Join Date: Dec 2006

Location: South FL

Posts: 3,522

The models looks good, there are some weird parts but I don't know if its the model or the really strong reflections that's doing that. Plus it's a shame to do all that work and have the viewer be able to see that you just plopped it down on a poly plane ><.

- Genny
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# 5 11-06-2012 , 11:01 AM

rm3d
Join Date: May 2008

Location: northern ireland

Posts: 184

cheers guys, yea lighting has never been my strong point, i just really liked that hdr map because it made everything shiny, which probably isnt the way to look at it. lol

the more I Think I know about Maya the less I seem to know about it.

check me out www.rm3d.co.uk

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# 6 25-06-2012 , 02:12 PM

Registered User
Join Date: Jun 2012

Posts: 2

Car

Dude!!

Your Shelby looks so live, I can smell the burning tires. Few days ago I saw quite similar model at https://www.cgtrader.com/3D-models/Ve...-Boss-302.html which was worth 159 dollars . You can try to sell your work here.

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